| |
|
| b.1964
|
|
| Education: |
| 1989 |
Master
of Fine Arts, Art Center College of Design Pasadena, CA |
| 1986 |
Bachelor
of Fine Arts, Otis Art Institute of Parsons School of Design, Los
Angeles, CA |
| Solo
Exhibitions: |
| 2008 |
Susanne Vielmetter LA Projects, Los Angeles
to these four horizons, Geluidpost/Lokaal01, Breda, Netherlands |
| 2007 |
Susanne Vielmetter Projects, Berlin, Germany
Reverberations: Steve Roden & Stephen Vitiello, Lora Reynolds Gallery, Austin, TX (two person show curated by regine basha) |
| 2006 |
Day Ring / Night Ring, Henry Art Gallery, Seattle, WA
Studio la Citta, Verona, Italy
Lines and Spaces, Susanne Vielmetter Projects, Los Angeles, CA
Recent Monotypes, Aurobora Press, San Francisco, CA |
| 2005 |
Seam Arks, Nicole Klagsbrun Gallery, NY
Seamarks,
San Francisco Art Institute, San Francisco, CA
Transmissions from Space, Fresno Metropolitan Museum, Fresno, CA |
| 2004 |
Susanne
Vielmetter Projects, Los Angeles, CA
Cups into Clouds, e/Static
Gallery, Torino, Italy
ear(th), Art Center College of Design, Pasadena, CA
Stills for Guru Dutt, Tang Museum at Skidmore College, NY
(part of the elevator music sound installation series)
|
| 2003 |
Susanne
Vielmetter Projects, Los Angeles, CA
Graphic Eloquence (2 person show w/ Jeff Elrod curated by Francis
Colpitt), UTSA Satellite Space, San Antonio, TX
Pomona College Museum of Art, Pomona, CA
Suyama Space, Seattle, WA
Jack Straw New Media Gallery, Seattle, WA |
| 2002 |
Singuhr - Horgalerie in Parochial, Berlin
Santa Barbara Contemporary Arts Forum, Santa Barbara, CA
e/Static
Gallery, Torino, Italy
|
| 2001
|
Book
of Seconds/Cosmic Dancer, OCMA Museum, Newport, CA,
video installation for One Wall series |
| 2000 |
Jenn
Joy Gallery, San Francisco, CA |
|
Sound
Pictures, 102, Grenoble, France |
|
Mir/We
Need to Say Goodbye, Studio Five Beekman, New York, NY |
|
Reading
Without Reading/Within (Further), The Guardshack, Bergamot Station,
Santa Monica, CA |
| 1999 |
Reading
Without Reading/ Within, Podewil, Berlin, Germany |
|
The
Anatomy of Touch/The Alchemy of the Verb, JennJoy Gallery, San Francisco,
CA |
|
The
Anatomy of Touch, Korn Gallery, Drew University, Madison, NJ |
| 1998 |
Landscape,
Mendenhall Art Gallery, Whittier College, Whittier, CA
Sound Pictures, Komaba Ryo Gallery, Tokyo University, Tokyo, 2 person
show |
| 1997 |
Translations
& Articulations, Griffin Contemporary Exhibitions, Venice, CA |
|
Ether/Ore,
Pac Des Ouches, Nevers, France |
|
Vascellum,
Anomalous, Seattle, WA |
| 1996 |
Any.
Thing. Made., Griffin Contemporary Exhibitions, Venice, CA |
| 1995 |
Griffin
Linton Contemporary Exhibitions, Costa Mesa, CA Gallery |
|
Earthvision,
Tokyo, Japan Gallerie OU', Osaka, Japan
Constellations, Nonsequitur Gallery, Albuquerque, NM, 2 person show
|
| 1994
|
Griffin
Linton Contemporary Exhibitions, Costa Mesa, CA |
| 1992 |
Kaibundo
Gallery, Kobe, Japan |
| 1989 |
Art
Center College of Design, Pasadena, CA |
| 1986 |
James
Turcotte Gallery, Los Angeles, CA |
| 1985 |
Texas,
Santa Monica, CA |
|
|
| Group
Exhibitions: |
| 2008 |
Marfa Sessions, Marfa Ballroom & various sites, Marfa, TX
Some Paintings: The 3rd Annual LA Weekly Biennial, Track 16 Gallery, Los Angeles, CA
Before & After Science, Richard Telles Gallery, Los Angeles, CA
Whole Parts, Sam Francis Gallery, Crossroads School, Los Angeles, CA |
| 2007 |
Mercosur Biennial, Porto Allegre, Brazil
Soundwaves, Museum of Contemporary Art, San Diego, (MCASD), La Jolla, CA
Sleppet, part of Grieg 07, Bergen, Norway
Between Thought and Sound, The Kitchen, NY
Kit Bashing, Western Bridge, Seattle, WA
A Simple Complex: Revisted, The Brewery Project, Los Angeles
Invisible. Other, New American Art Union, Portland, OR
Open End, Kinkeade Contemporary, Culver City, CA
decoupage (f d), Blank, Torino, Italy
|
| 2006 |
Space Is the Place: Contemporary Art and Space Travel, Cranbrook Art Museum, Bloomfield, Michigan;Bedford Gallery, Walnut Creek, Ca; Scottsdale Museum of Contemporary Art, Scottsdale, Arizona; The Hudson River Museum, Yonkers, New York
The Grand Promenade, National Museum of Contemporary Art (EMST), Athens
Eco E Narciso, The Open Air Museum of Modern Architecture (MAAM), Ivrea, Italy
Intersections, Emily Davis Gallery, University of Akron, Ohio
Draw A Line, LACE, Los Angeles
(Keep Feeling) Fascination, Recent Abstract Painting in Los Angeles, Luckman Fine Arts Gallery, Cal State La, Los Angeles
Drawn Together/Collapse Apart, Harris Art Gallery, University of LaVerne, CA
Otis / LA, Nine Decades of Los Angeles Art, Municipal Art Gallery, Los Ageles, CA
Conversation - Dan Connally and Steve Roden, Cuesta College, CA
Re: Sound, Mid Pennine Gallery, Burnley, UK
The Boat Show, High Energy Constructs, Los Angeles, CA
Immodesty, Another Year in LA, Los Angeles, CA
|
| 2005 |
Sculturra
Liggera / Light Sculpture, 503 Mulino, Vincenza, Italy
Loops, G Fine Art, Washington DC
En/Of Editions, Printed Matter, NY
I10, McClain Gallery, Houston, TX
Je Ne Regrette Rien, Studio La Citta, Verona Italy
Wordplay, Julie Saul Gallery, NY
In Resonance, Seattle Center, Seattle, WA
Sounds Like Drawing, The Drawing Room, London
In the Abstract, Angles Gallery, Santa Monica, CA
Special: Artists Select Artists, Kustera TIlton Gallery, New York,
NY
Percussion Music, Solway Jones Gallery, Los Angeles, CA
COLA, City of Los Angeles Cultural Affairs Award, Municipal Art Gallery,
Los Angeles, CA
|
| 2004 |
Specific
Objects, The Minimalist Influence, Museum Contemporary Art San Diego,
La Jolla, CA
Treble, The Sculpture Center, New York, NY
Listen, Centre Pompidou, Paris, France
Painting Now, Tang Museum at Skidmore College, NY
southwestNET: PHX/LA, Scottsdale Museum of Contemporary Art, Scottsdale,
AZ
Sound of Place / Place of Sound, Sun Valley Center for the Arts, Sun
Valley, ID
Freewall, Kellogg University Art Gallery, California StatePolytechnic
University, Pomona, CA
The Way it Looks from Here, Spanganga, San Francisco, CA |
| 2003 |
Audiolab
2, Centre Pompidou, Paris, France
Painting by Letters, Cirrus Gallery, Los Angeles, CA
LA Hot, Barbara Davis Gallery, Houston TX
Collectors XVIII, San Diego Museum Contemporary Art, La Jolla, CA
Definitively Provisional, Whitechapel Project Space, London, UK
Before and After Sound, e/Static, Torino, Italy
Recycle,Renew, Muckenthaler Cultural Center, Fullerton, CA
Transmission, Harwood Art Center, Albuquerque, NM
I Am A Camera, Mu, Eindhoven, The Netherlands |
| 2002 |
Resonance
2, Stadt Galerie, Saarbrucken, Germany
25th anniversary selections exhibition, The Drawing Center, New
York, NY
West Coast, Art Affairs Gallery, Amsterdam, Holland
Cypress Hill: AMPLIFIED, LA Freewaves Festival, Los Angeles, CA
Signals,
Bentley Gallery, Scottsdale, AZ
New Works / New Spaces, Armory Center for the Arts, Pasadena, CA
Frequencity, Radio Kunst, Austria
Transit: Survival Skills,The DepArtment, Scottsdale, AZ & Raid,
Los Angeles, CA
Liminal Spaces, Center for Curatorial Studies Museum, Bard College,
NY
|
| 2001 |
Resynthesis,
Betty Rymer Gallery, Chicago, IL
In Between Outdoors, MAK center for art and architecture, Los Angeles,
CA
Snapshot , UCLA Hammer Museum, Los Angeles, CA and
Miami MOCA, Miami, FL
Cross-Cuts, Ben Maltz Gallery, Otis College of Art & Design, Los
Angeles, CA
Stolen Properties, Sala Diaz, San Antonio, TX
Six Degrees, Art in the Libraries, Hollywood Regional Branch LA Public
Library, Los Angeles, CA
Between Representation, INMO Gallery, Los Angeles, CA
Collective Jukebox, Salons de Musiquee, Musee d'Art Modern et Contemporarian,
Strasburg France
Opening Lines, Reynolds Gallery, Westmont College, Santa Barbara,
CA |
|
Shifters:
frequencies, intervals, passages, Art Place, Los Angeles, CA |
|
Collective
Jukebox, LMX, FRAC, Marseille, France |
|
A
Glass Clock, Red Room, Baltimore, MD |
| 2000 |
Break
Step, Inmo Gallery, Los Angeles,CA |
|
Collective
Jukebox, Center of Art Shed Im Eisenwerk, Zurich, Switzerland
|
|
Atmosphere,
Raid Gallery, Santa Ana, CA |
|
En
Red O 2000, Centre de Cultura Contemporània de Barcelona, Spain |
|
Exquisitly
Wrought, The Brewery Project, Los Angeles, CA |
|
No.4,
Gartner, Santa Monica, CA |
|
The
Other Side of Zero, Video Positive Festival, Tate Gallery Liverpool,
UK |
|
Inland
Specific, Pcc Gallery, Pasadena, CA |
|
MOCA
Auction, Museum of Contemporary Art, Los Angeles, CA |
|
Back
Room, JennJoy Gallery, San Francisco, CA |
|
The
Empty Miracle, Astrocade, Philadelphia, PA |
| 1999 |
Fall
Selections 99, The Drawing Center, New York, NY
Into the Sun, sound compositions for video installation by Doug Aitkin,
ZKM Museum Karlsruhe, Germany; Victoria Miro galery, London, UK; Matrix,
Berkeley Art Museum, Berkeley, Ca
Eraser,
sound composition for video installation by Doug Aitken, Mueum Ludwig,
Cologne, Germany and 303 gallery, New York, NY
|
|
Southern
California Car Culture, Irvine Fine Arts Center, Irvine, CA |
|
En
Red 0, Centre de Cultura Contemporània de Barcelona, Spain |
|
Motion
Studies, Kunsthallen Brandts Klaedefabrik, Odense, Denmark |
|
The
Mix : Recent Acquisitions, ASU Art Museum, Tempe AZ |
|
Cote
Ouest, Brewery Project, Los Angeles, CA |
|
Sig
Alert 2, Grand Central Art Center, Santa Ana, CA |
|
Sig
Alert, ASU Art Museum, Tempe, AZ |
|
Painting...,
Post, Los Angeles, CA |
|
Sculpture,
Griffin Contemporary Exhibitions, Venice, CA |
| 1998 |
Sound,
Refusalon, San Francisco, CA |
|
Ends
and Means, Fine Arts Gallery, Cerro Coso Community College, Ridgecrest,
CA |
|
Contempo
- Italianate, Laband Art Gallery, Layola Marymount University, Los
Angeles |
|
ISEA
98, International Symposium on Electronic Art, various sites, Liverpool,
UK |
|
Ways
& Means, Miller Dorazo Fine Art, Los Angeles, CA |
|
MOCA
Auction, Museum of Contemporary Art, Los Angeles, CA |
|
Open
Container, Refusalon, San Francisco, CA |
|
Viaggiatori
- Travelers, Palazzo Dei Consoli, Gubbio, Italy |
|
Reverb,
The Brewery Project, Los Angeles, CA |
|
All
You Can Eat, Los Angeles Produce Market, site specific installation,
Los Angeles, CA |
|
Ear
Ink, Beyond Baroque Literary Arts Center, Venice, CA |
| 1997 |
Parallels,
Kunstalle Grassi-Museum, Leipzig, Germany |
|
Ear
of the Sea, Viitasari Art Port and Helsinki Gallery Novo, Finland |
|
Allegorical
Re/Visions, Municipal Art Gallery, Los Angeles, CA |
|
West
Coast Painting & Sculpture 1997, Oceanside Museum of Art, Oceanside,
CA |
|
One
Night Stand, Farmer's Daughter Motel, Los Angeles, CA |
| 1996
|
Tangles,
Otis College of Art and Design, Los Angeles, CA |
|
Blindsight,
Mendenhall Art Gallery, Whitter College, Whittier, CA |
|
Currents
in Abstraction, Ikon Ltd/Fine Art, Los Angeles, CA |
|
Triennial
Sofia '96 Exhibition of Painting, Art Gallery of the Union of Bulgarian
Artists, Sofia, Bulgaria |
|
Quirky
Little Abstractions, L.A. Harbor College Art Gallery, Los Angeles,
CA |
|
They
Came From Beyond, Malibu Art Ranch, Malibu, CA |
|
New
Windows on Old Pasadena, site specific installation, Pasadena, CA
|
|
100
Dollar Show, Post, Los Angeles, CA |
|
Unknown
Connections, Griffin Linton Contemporary Exhibitions, Venice, CA |
|
Dal
'Campo d'Obsservazione' to 'The Brewery', Palazio Ducale, Gubbio,
Italy |
|
The
Woven Page, South Pasadena Library, Pasadena CA |
|
Listening
Room - recorded sound works, San Francisco Art Commission Gallery,
San Francisco, CA |
| 1995 |
Mars
du Son, Villa Arson, Nice, France |
|
Sunday
Brunch (Not Exactly Breakfast at Tiffany's), Random Gallery, Los Angeles,
CA
Study for a Long Stretch, Skuc Gallery, Ljubljana, Slovenia |
|
Group
Hanging, Griffin Linton Contemporary Exhibitions, Costa Mesa, CA |
|
Pagine
Tessili, Biblioteca Civica Vincenzo Joppi, Udine, Italy |
| 1994
|
La
Prima Biennale Internazionale della Arti a Quarrata, Quarrata, Italy
|
|
Small
& Untitled, Griffin Linton Contemporary Exhibitions, Costa Mesa, CA |
|
Miracle
on 18th Street, Side Street Projects, Santa Monica, CA |
|
Pagine
Tessili, Biblioteca Rispoli, Rome, Italy |
|
Transtextualism,
Mark Moore Gallery, Santa Monica, CA |
|
The
Green Show, Bradbury Building, Los Angeles, CA |
|
Sawtelle,
Domestic Setting, Los Angeles, CA |
|
Slightly
Connected, Cacao, Los Angeles, CA |
|
Far
Bazzar, The Brewery, Los Angeles, CA |
| 1993 |
Transformation
& Seduction: Interpretations of Leda & the Swan, Nova Space, Culver
City, CA |
|
Tiny,
Project Box, Los Angeles, CA |
|
Peculiar
Paintings, Momentary Contemporary Museum, Los Angeles, CA, and Woodbury
College Gallery, Burbank, CA |
|
Germinal
Notations, Food House, Santa Monica, CA |
|
Synthetic,
Touchy, Feely, Gallery Without Walls, Los Angeles, CA, & New York,
NY |
|
A
Simple Complex, The M*Y*T*H Series, Brewery, Los Angeles, CA |
|
FARBazzar
BQ, Sue Spaid Gallery, Los Angeles, CA |
|
Natural
Law, Nomadic Site, Santa Monica, CA |
| 1992
|
FAR
Bazzar, The Old Federal Reserve Building, Los Angeles, CA |
| 1987
|
Amnesty
International Benefit, Bad Eye Gallery, Los Angeles, CA |
| 1986 |
Group
Show, James Turcotte Gallery, Los Angeles, CA |
|
|
| Sound
Performances and Installations: |
| 2008 |
18 happenings in 6 parts, a reconstruction of Allan Kaprow's seminal happening in conjunction with the Kaprow retrospective at MOCA, presented for 5 nights at LACE, Los Angeles, CA
Mammoth, LACMA / Los Angeles County Museum of Art, in conjunction with the opening of the BCAM building, Los Angeles, CA
|
| 2007 |
Dark Over Light Earth, MOCA at the Pacific Design Center, Los Angeles, CA (two day sound installation created for MOCA's Mark Rothko paintings.)
everything else &/or nothing at all, Rotterdam International Film Festival, Rotterdam (film screening)
Activating the Medium festival, Exploratorium, San Francisco, CA (performance)
Restless Brilliance, UCLA Hammer Museum, Los Angeles, CA
(performance)
Sound For Silents, Otis Art Institute, Los Angeles, CA, (performance) |
| 2006 |
Klang aparatus, Tesla, Berlin Germany (sound performance using martin riches talking machine)
Tribute to the Life and Work of Nam June Paik, Los Angeles County Museum of Art (LACMA), Los Angeles, CA, sound performance using a remade paik sculpture called "primitive music"
Dissonanze, Palazzo dei Congressi, Rome, Italy (screening of the film "light forms")
FluxFilms, Los Angeles Contemporary Exhibitions (LACE), live improvised soundtracks to fluxus films
San Francisco Electronic Music Festival, San Francisco, CA
Bleeding Edge Festival, Montalvo Arts Center, Saratoga, CA, site specific sound installation
The Bluebird, Otis Art Institute, Los Angeles, CA, live soundtrack to the silent film 'the bluebird'
|
| 2005 |
Sounding Architecture, Serpentine Gallery, London, Performance
Soundwalk 05, sound festival various sites, Long Beach, CA, installation
The Bells, Otis Art Institute, Los Angeles, CA, live soundtrack to the silent film 'the bells'
SoCalSonic, sound festival, Long Beach, CA, performance
On the Boards, Seattle WA, performance
Fresno Metropolitan Museum of Art and Science, Fresno, Ca, performance/artist talk
|
| 2004 |
Tang
Teaching Museum, Skidmore College, Saratoga Springs, NY, performance
Suite in Parochial, Singuhr - Horgalerie in Parochial, Berlin (live
Collaboration w/ Frank Bretschneider)
Winter Festival, Engine 27, New York, NY, installation from residency
Nest, commissioned site specific sound installation in downtown Ketchum,
ID (part of sound of place show)
Sun Valley Center for the Arts, Ketchum, ID
(performance for the opening of sound of place show) |
| 2003 |
KYTN,
Dundee Contemporary Arts, Dundee Scotland, film screening & performance
Paesinae, Theatre du Point Aveugle, Marseille, France, artist in residence
& performance
TNT, San Diego Museum of Contemporary Art, San Diego, performance
Beyond Music Festival, Beyond Baroque, Venice, CA, installation
A House in Waterproof Paper, part of 3 Nights of Fluxus, Otis College
of Art,
performance for Dick Higgins Exhibition
E/I Launch, The Derby, Los Angeles, CA performance
Aether Fest, KUNM, Albuquerque, NM, radio festival
Composer Forum, Jack Straw New Media Gallery, Seattle, WA performance/talk
Line Space Line, Echo Park, CA, performance
MIT University, Boston, performance
Bard College, New York, performance
Skidmore College, New York, performance
The Figure Five, Engine 27, New York City ,residency
|
| 2002 |
Bell
Forms, Stadt Galerie, Saarbrucken, Germany, performance
Extrapool, Nijmegen, Holland, performance w/Jason Kahn
Beyond Noise , Conference, UCSB, Santa Barbara, CA, film & sound
installation
Desert Music, The Outpost, Albuquerque, NM, performance
Day of Attention 3, Aurophobe, Los Angeles, CA, performance
Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, performance
Field Effects 3, Natoma, San Francisco, CA, performance
A Day of Attention 1, Rocco's, Los Angeles, performance
Rhizome LA, Rocco's, Los Angeles, performance & panel discussion
Off12, Stadt Galerie, Saarbrucken, Germany, performance
Ephemeralization, Remote, New York, NY |
| 2001 |
Flight
Pattern, Podewil Germany, Performance
SoundHouse, Mak Center for Art and Architecture, Los Angeles, CA,
performance
12K/BipHop Festival, Tonic, NYC, New York, Performance Touch Tones,
Pacific
Film Archive, Berkeley, CA, Film Screening (Cosmic Dancer)
Transmissions Festival, Chicago, IL, performance & installation
www.transmit.org
Flying Carpet, Sonique Series, Zurich, Switzerland, performance
Chair Music, University Art Museum, Phoenix, AZ, performance |
| 2000 |
Architeturra,
Walker Art Center, sound performance w/ filmaker Iara Lee
Bricks & Drones, Modified, Phoenix, Arizona, performance |
|
KSPC,
Pomona, CA live radio performance |
|
Water
Temple, Brazil performance tour: Centro Brasileiro Britânico, São
Paulo; Museu de Arte da Pampulha, Belo Horizonte; Nação Pernambuco,
Brasilia |
|
Unfolding
Resonance, Hayward Gallery London, event for exhibition Sonic Boom,
w/ Val Bertoia |
|
Light
Structures, Cinema Nova Brussels, film screening and live sound Possible
Landscapes |
|
European
performance tour: Musee des Beaux Artes de Nantes, Logos Foundation
Ghent, 102 Grenoble, Podewil Berlin, GMBH Paris |
|
Montpelier
Dance Festival, Montpelier, France, collaboration w/ choreographer
Fabrice Dugied |
|
Radio
Liberte, Paris, France, live radio performance |
|
Interference,
San Francisco Museum of Modern Art, San Francisco, CA, performance |
| 1999 |
Heizlufter,
Sampling Rage Festival, Berlin, Germany, sound installation and performance
|
|
Observatory
(gazing out the window), Beyond Music Festival, Beyond Baroque, Venice,
CA, installation |
| 1998 |
Hysteria,
Long Beach Museum of Art, Long Beach, CA, installation in collaboration
w/ D.Aitken
Helios Flying, REV, ISEA 98, Liverpool John Moores University, Liverpool
UK, performance |
|
Nous,
The Loss of the Winds, L'etoile du Nord ex Dix-Huit Theatre, Paris,
France, collaboration w/ dance group Fabrice Dugied, also presented
it Irish Modern Theatre, Dublin, Ireland |
|
Architecture,
Activationg the Medium Sound Art Festival, Cuesta College, San Louis
Obispo, CA, performance |
|
in
Search of Snow, Beyond Music Festival, Beyond Baroque, Venice, CA,
sound installation |
|
SoundWork,
Japan performances tour: Tokyo (Uplink), Osaka (Senkouji Temple),
Matsuyama (Sound Gallery), Kobe (Kobe Design University) |
|
Where's
John, The Brewery Project, Los Angeles, CA, for the exhibition Reverb,
w/ B. Labelle |
|
Husk,
Los Angeles Municipal Art Gallery, Los Angeles, CA, with John O'Brien
& Toti Mercadante |
|
Vegetale
Oscillations, Upstairs at the Market Gallery, Los Angeles, CA, sound
installation, part of the exhibitionAll You Can Eat |
| 1997
|
Cloud
Moving, ICA (Institute of Contemporary Arts), London, performance |
|
Enclosures,Festival
Musique Ultimes', Dijon, France, performance |
|
Diamond
Sea, Whitney Museum of American Art, partial soundtrack to the film
by Doug Aitkin premiered at the Whitney Biennial |
|
Petals,
Beyond Baroque Literary Arts Center, Venice, CA, performance |
|
Vascellum,
Anomalous, Seattle, WA, performance in conjunction with the installation
'Vascellum" |
|
"L'etre
de Zombie City",Theatre, Paris France, collaboration w/dance group
Fabrice Dugied |
|
Sweet/Sadness/Suite,
Los Angeles Municipal Art Gallery, Los Angeles, CA, performance |
|
Luminous,
Southern Exposure, San Francisco, CA, performance |
|
Encounters
in the Garden, UK tour: Over the Top, Sheffield; Liverpool College
of Arts, Liverpool; the Termite Club, Leeds; England |
|
Forum
Departmental de la Danse, Boutiques des Luzarches, Luzarches, France,
for dance group Fabrice Dugied |
|
Super
8 Film Festival, LACE, Los Angeles, CA, live improv. to silent movies |
|
"L'etre
de Zombie City", 18 Theatre, Paris France, for dance group Fabrice
Dugied |
| 1996 |
Flow,
Otis Art Institute, Los Angeles, CA, performance in cunjunction with
the exhibition "Tangles" |
|
Crop
Circles, October/November, for the exhibition "They Came From Beyond",
Malibu Art Ranch, Malibu, CA, sound installation |
|
Ngattaugree,
Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA, performance |
|
In
A Small Place, New Windows on Old Pasadena festival, Pasadena, CA,
site specific performance, w/ B. Labelle |
|
Live
Humm, Aron's Records, Hollywood, performance |
|
Somnia,
Ducal Palace, Gubbio, Italy, w/John O'Brien & Toti Mercadante |
|
Diamond
& Butterfly, Beyond Baroque Literary Arts Center, Venice, CA, performance |
|
The
Radio, Soundculture '96 festival, radio KPFA, San Francisco, CA, comissioned
micro-opera, broadcast |
|
Listening
Room, San Francisco Art Commission Gallery, San Francisco, a juried
exhibition of recorded sound works |
|
Tumbleweed
Tour, the Impala & the Alligator Lounge, Los Angeles; Huntington Beach
Arts Center, Huntington Beach, CA; Wikki-up, San Diego; Metrophobobia,
Phoenix ; The Candy Factory, Austin; Mary Jane's, Houston; The Outpost,
Albuquerque; w/ Steve Peters & Anna Homler |
| 1995 |
Communicating
Vessels, Interzone One: New Music Festival, Osaka, Japan, performance |
|
Fragment
3, The Impala, Los Angeles, performance |
|
Fragment
2, Post Gallery, Los Angeles, performance |
|
So
Low , Errant Bodies Amplified: experimental music series Huntington
Beach Arts Complex, Orange County, CA, performance |
|
Constellations,
The Outpost, Albuquerque, w/ Steve Peters & Anna Homler |
|
Hybrid
2, Spaceland, Los Angeles, performance |
|
Out
Of The Darkness...into The Light, part of In Heavan Festival, Angeles
National Forest, California, performance w/Kevin Mchugh |
|
Hybrid,
Sound Excursion Center at Glaxa, Los Angeles, w/ A. Homler & K.Mchugh |
|
Ippirati,
Skuc Gallery, Ljubljana, Slovenia & Site Gallery, Los Angeles, w/
John O'Brien & Toti Mercadante |
|
Night
of Experimental Music, Broad Center, Claremont, CA, w/ A. Homler &
K. Mchugh |
|
Two
Pieces, live performance, radio KSPC, Claremont, CA |
|
Untitled,
Alligator Lounge, Santa Monica, CA, w/ A. Homler & K. Mchugh |
|
Worlets
2, Aron's Records, Hollywood, performance |
| 1994
|
Worlets,
Anomalous, Whittier, CA, performance |
|
Asphalt
Opera #9, Zenko Temple, Osaka, Japan, w/Japanese theatre group Replicant
|
|
Daspairing..Horizontally...Vertically,
Far Bazzar at the Bingo Building, Los Angeles, sound installation
w/Kevin Mchugh |
|
Ran-Sel,
Hollywood Moguls, Hollywood, performance w/ Kevin Mchugh |
| 1993
|
Leda
(the bride stripped bare), Nova Space, Culver CityCA, performance
, w/ Kevin Mchugh |
|
Phonogrophy,
Los Angeles Contemporary Exhibitions (LACE), performance |
| 1992 |
Heavan,
Earth, Hell, Sokol Hall , Hollywood, CA, sound installation (first
use of in be tween noise name) |
| 1991 |
Untitled,
Armory Center for the Arts, Pasadena, CA, live performance |
|
Fireworks,
Japan Tour: Fandango's, Osaka; Stage Senin, Sayama, Theatre Poo,Shinjuku,
Tokyo |
|
Fireworks,
System M, Long Beach, CA, performance |
|
Theme
For Gunshots, Electronic Cafe, Santa Monica, CA, January 1, Live Transmission
to Tokyo Japan, w/ Alan Nakagawa |
| 1990 |
Quartet
for Ants, Electronic Cafe, Santa Monica, CA, Live Transmission to
San Francisco, Canada, & the Arctic Circle * |
|
Fragment
of Gold, Part of CoCoRo Micro Opera SPARC, Venice, CA * |
| 1989
|
Fable
Music, Ken Nakaoka Community Center, Gardena, CA* |
|
Fable
Music, Gardena Community Adult School, Gardena, CA * |
|
Fable
Music, System M, Long Beach, CA * |
| 1988 |
Secular
Score, Part of KoDoMo Micro-Opera, Japan America Theatre, Los Angeles,
CA* |
|
Secular
Score, Arts Festival '88, Exhibition Park, Los Angeles, CA* |
|
Secular
Score, System M, Long Beach, CA * |
|
Secular
Score, California Rehabilitation Center, Norco, CA* |
|
Secular
Score, Part of KoDoMo Micro-Operas, University of California at Irvine,
CA * |
|
*
From 1988 - 1990 all performances were in collaboration w/ multi-media
performance art group 'Collage Ensemble'. |
| Solo
Audio Publications: |
| 2007 |
dark over light earth, CD, new plastic music, usa
edition: 1,000
one stone. and arcs. and ears, 7" red vinyl, new plastic music, usa, edition: 300 |
| 2006 |
Lines & Spaces, 2 single sided LPs, new plastic editions, usa, edition: 125 |
| 2005 |
Transmissions (voices of objects and skies), Fresno Metropolitan Museum of Art, Fresno, CA
Oder Delias or Butterflies, CD, NonVisualObjects, Germany
Airforms, CD, Line, USA |
| 2004 |
ear(th),
CD & 24 page Catalog, Art Center College of Design and City of Pasadena,
CA
In Flows and Spuns, LP, en/of edition, germany (collaboration with doug aitken) edition: 100 |
| 2003 |
Light
Forms, CD, Semishigure, Germany
speak nomore about the leaves, CD, Sirr, Portugal
Resonant Cities, CD, Trente Oiseaux, Germany
3 Roots Carved to Look Like Stones, CD, Sonoris, France |
| 2002 |
Winter
Couplet, CD, New Plastic Music, USA |
| 2001 |
Forms
of Paper, CD, Line, USA www.12k.com
Schindler House, CD, Mak Center & New Plastic Music, USA
(for)m., fallt, UK 3" Compact Disc (edition of 300) |
| 2000 |
Four
Possible Landscapes, Compact Disc, Trente Oiseaux , Germany |
| 1999 |
Tree,
New Plastic Music USA limited cdr (edition of 35) |
|
Archival
Footage, Anomalous Records, USA, 10" limited white vinyl record (edition
of 500) |
|
View,
Compact Disc, Jennjoy Gallery, San Francisco, CA |
|
The
Radio, Compact Disc, Sonoris, France |
|
Lamp,
3" Compact Disc, Interior Sounds, USA |
|
Chair,
3" Compact Disc, Interior Sounds, USA |
| 1998 |
Crop
Circles, Compact Disc, Trente Oiseaux, Germany |
| 1997 |
Of
Space Enclosed..., Compact Disc included in exhibition catalog Translations
& Articulations, Griffin Contemporary Exhibitions, Los Angeles, CA |
|
Splint,
3" Compact Disc, Interior Sounds, USA |
| 1995 |
Humming
Endlessly in the Hush, Compact Disc, New Plastic Music, USA |
| 1993 |
So
Delicate and Strangely Made, Compact Disc, New Plastic Music, USA |
| 1991 |
The
Secret of Happiness, Cassette, Starfish Music, USA |
|
|
| Compilation
& Split Audio Publications: |
| 2007 |
yasujiro ozu - hitokomakura, 2XCD, and/oar, usa, tt: tapping on the inside of sitting still
extract (portrait of sound artists), 2 x CD & hardback book, non visual objects, germany , tt: air into form / voice into breath |
| 2006 |
eco e narcisso, CD, provincia di torino, italy, tt: 22 letters and the resonance of a three pointed star
dream magazine issue #6 free cd, usa, tt: still burning (originally released on en/of LP)
|
| 2005 |
untitled songs , CD, Sirr, Portugal, tt: between vowels and constants
re'post'postfabricated, 2xCD, dsprecords, italy, tt: building building
memories of sasakisan, CD, powershovel Audio, Japan, tt: my sea / mice see |
| 2004 |
noli
me ligare - to maurice blanchot, CD, Sirr, Portugal,
tt: thomas
sat down and looked at the sea
turning dreams & shifting harbours, CD, France (part of kidnapping
Europe project), tt: giglio |
| 2003 |
two
point two, double CD, Line/12K, usa, tt: for thomas wilfred #4
le chemin du paradis, CD, Fario, France, split w/ Francisco Lopez
60 sound artists protest the war, CD, Atak, Japan, tt: untitled
the audible still life, CD, Stasisfield, usa, tt: bookshelf (the
titles of visible books)
Organised Sound, Journal & CD, Cambridge University press, UK
tt: schindler house excerpt
For Morton Feldman, CD, Trente Oiseaux, Germany, split w/ b. guenter
& r. chartier
shimmer/flicker/waver/quiver, CD, Brombron, Holland, collaboration
w/ Jason Kahn
broken.distant.fragrant, CD, Rossbin, Italy, collaboration w/ tu m'
Leonardo Music Journal, Journal & CD, The MIT Press, volume 13, USA,
track: OTR
The Walls Are Whispering, CD, EE, Belgium, track: the presence of
copper |
| 2002 |
infernal
proteus, CD + book, usa, tt: to the pineal body
aenviron : one, 3" cdr, aesova, usa, tt: train to bad schandau
fuji rekodsu, CD, Cha bahara, Japan, tt: site of sound w/ b. labelle,
c. charles
inflation, CD, MU-label, Japan |
| 2001 |
between
two points, CD, 12K, USA, tt: mobile/stabile www.12k.com
anonymous, Clear Vinyl LP, Diskono, UK, track: untitled
Japan, CD, Trente Oiseaux, Germany, tt: eden suite (split w/ b. guenter)
Sampling Rage, CD, x-tract, Berlin, tt: heizlufter (slight return)
angel high wires, CD, Discus, UK collaboration w/Martin Archer, G.
Monk, Chris Carter, J. Tippetts, etc. |
|
re:
martin arnold alone, life wastes andy hardy, CD, Apestaartje, USA,
tt: maa.lwah |
| 2000 |
natural
remix, 7" vinyl , Diskono UK (edition of 1), for the physical remix
series. hand altered 7" by janek schaeffer. |
|
Lockers,
Vinyl LP, ERS records, Amsterdam. tt: stones yucca valley, vlf joshua
tree. |
|
The
Opening of the Field, CD, Digital Narcis, Japan. collaboration w/B.
Labelle |
|
Steve
Roden, Small Cruel Party, Toy Bizarre, CD, GMBH, France. track: vegetale
oscillations. |
|
Zero,
CD, Audio Research Editions, UK. for Video Positive Festival. |
|
Lowerccase,
2CD, bremsstrahlung recordings, usa |
| 1999
|
The
House Was Quiet and the World Was Calm, CD, Meme, Japan. collaboration
w/B.Labelle |
|
Trace,
2CD's, audio research editions,uk |
|
Hope,
CD, audio research editions,uk |
|
untitled,
CD, hacca note, japan |
| 1998
|
Tulpas,
5 CDs & Book, Selektion, Germany. tt:Vein.Stems. Is. Calm.; also two
drawings and the text Some Thoughts on Beauty |
|
Unspoken
/ Kingdom of Shadows / Unseen, CD, MSBR, Japan, collaboration w/B.Labelle |
| 1996 |
Network
volume 2, CD, discus, uk |
|
Bunker
Archeology, Compact Disc, Noise Museum, France |
|
Point
of Yucca 2, CD, yucca tree records, Switzerland |
| 1995 |
Future
Music, 1995 CD future music magazine, uk (track from network CD) |
| 1994
|
Network,
CD, discus, uk Unknown Public 4 , CD, unknown public, uk |
| 1991 |
Introspective
Retrospective, split cassette w/Collage Ensemble, CE recordings, USA
|
|
| Curatorial
Activities:
|
| 2000 |
Static,
a site specific sound installation series and CD catalog involving
10 international sound artists, Grand Central Arts, Santa Ana, Ca |
| 1999
|
co-editor,
Site Of Sound , Smart Art Press / Errant bodies, Los Angeles, CA,
178 pages & CD. Book project involving international architects, sound
artists, and writers including Rolf Julius, Christina Kubisch, Pierre
Koenig, Alisson Knowles, Philip Corner, Tom Marioni, and others. |
| 1997
|
Are
We Touched? Huntington Beach Arts Center, Huntington Beach, CA two
sections of the show co- curated and loaned (aliens and kid's food
& the work of Renee Meredith). |
|
Ear
as Eye, LACE (Los Angeles Contemporary Exhibitions), an international
exhibition of visual work by 125 sound artists, co-curator with B.
Labelle. travel to Anomalous (Seattle WA) & Nonsequitur (Albuquerque,
NM) |
|
|
| Published
Writings: |
| 2007 |
hunting and gathering, open for design, msn website
bubble house, open for design, msn website |
2004
2001 |
Resonant
Cities, 26, San Francisco, CA, issue C, pp:195 - 199
music reviews, music works magazine, canada |
| 2000 |
I
Speak Through a Hole in my Head, New Plastic Paper, USA, 90 page chapbook
of poems and drawings. edition of 500. |
|
Tracing
Bertoia's Movements, Music Works, Fall, Canada, pp. 51 - 52, re: Harry
Bertoia |
|
Epiphanies,
The Wire, #196 / June, UK PP. 90 [reproduction], re: Harry Bertoia |
| 1999 |
Bubbles,
Echoes, Summer, USA, pp.54 - 59, 87 - 89, re: Modernist Architecture
|
|
|
|
Press: |
| 2007 |
Gabriel Perez-Barreiro, 6a Biena do Mercosul - Zona Franca, exhibition catalog [reproductions]
Kate Taylor, Seeing a Symphony on a Grid, The New York Sun, pp. front page [reproduction] & 15
Cristiano Santanna, A Festa Das Artes, Correio Do Povo, Brazil, 1ste De Setembro, pp. front page [reproduction]
Rachel Neugarten, Subtle Arts, Subtle Effects, The Oregonian, Friday April 13, pp. 35 [reproductions]
Nicky Loomis, Artwork to Your Ears, Pasadena Star News, Monday April 16, pp: 1, 11 |
| 2006 |
Christina Kubish, Best of 2006, Artforum Magazine, December, 2006
Jennifer Higgie, The Grand Promenade, Frieze Magazine, November - December, 2006, pp.174
Michael Ned Holte, Sound, paintings, and process; Alexander Graham Bell, kites, and a grandmother's attic, Frieze Magazine, November - December, 2006, pp. 145 [reproductions]
Nate Lippens, Roden gives the passage of time an amazing aural quality, Seattle Post-Intelligencer, September 29, 2006 [reproduction]
Fionn Meade, BOMB magazine,
Fionn Meade, Sounding Architecture, NYFA Perspectives on the Arts, website [reproductions]
David Pagel, Found in Translation, Los Angeles Times, March 17 [reproduction]
Rhodri Davies, What Are You Doing With Your Music, Blocks of Consciousness and the Unbroken Continuum, Sound 323, London, 336 pages, pp: 298 - 305
Greg Burk, Beauty/Noise, LA Weekly, March 3 - 9, pp: 132 [reproduction]
Barbara Isenberg, Mark Greenfield, Meg Linton, Otis - LA, Nine Decades of Los Angeles Art, Los Angeles Municipal Art Gallery, exhibition catalog, 144 pages, [reproduction]
Julie Joyce, (Keep Feeling) Fascination, Luckman Gallery, exhibition brochure, 6 pages [reproduction]
Anna McCarthy, Multimedia, Journal of the Society of Architectural Historians, March, pp: 121-124
Valerio Deho, Steve Roden Retrieved in Translation, Studio La Citta, Verona Italy, exhibition catalog, 14 pages [reproductions]
Anna Kafetsi, The Grand Promenade, EMST, Athens, Greece, exhibition catalog 255 pages [reproductions]
Daniela Cascella and Rebecca de Marchi, Eco E Narciso Presenze Sonore, Provincia di Torino, Italy, catalog of exhibition, 34 pages w/ audio CD
George Parsons, Steve Roden, Dream Magazine, #6, USA, pp: 48-51 [reproductions] & CD |
| 2005 |
Stephen Vitiello, Best of 2005, Artforum, December, pp: 74 [reproduction]
_____, 1+1+1, UK, Autumn, entire issue devoted to the exhibition "sounds like drawing", incl. transcribed symposium and reproductions, 12 pages oversize
Rocco Moliterni, Scultura, La Stampa, Italy, Marzo 19, [reproduction]
Edwin Pouncy, Outer Limits, The Wire, UK, October, pp. 73
Steve Roden, Inner Sleeve, The Wire, UK, August, pp. 83 [reproduction]
_____, Seamarks, San Francisco Art Institute, exhibition catalog, 36 pages, [reproductions]
Susanneh Bieber, Steve Roden Transmissions from Space, Fresno Metropolitan Museum, exhibition brochure, 6 pages, [reproductions]
Lynne Heffley, An All-Around Soundfest, LA Times, august 19, pp:E2
Laura Cassidy, Surround Sound, Seattle Weekly, August 31, pp: 23 - 29
Nate Lippens, Correspondence Courses, The Stranger, Seattle WA, September 1, pp. 38 [reproduction]
Jen Graves, Bumbershoot Art Exhibit Links Sights, Unmusical Sounds, The News Tribune, Tacoma WA, September 4, pp. E4
Regina Hackett, Art Review, Seattle Post Intelligencer, September 2, pp: 33
Simone Menegoi, Sebatiano Barassi, Daniela Cascella, Light Sculpture/Scultura Leggera, exhibition catalog, 503 Mulino, Italy, 188 pages, [reproductions]
Dr. Frauke von der Horst, Alan Nakagawa, Steve Roden, SoundWalk 2005, Flood, 16 page catalog & CD, includes the essay Active Listening by Steve Roden
Laura Richard Janku, Steve Roden, ArtUS, may/june, pp:24 – 25 [reproduction]
AA Bronson, Joeg Heiser, Guido de Werd, EN/OF 001 - 030, Museum Kirhaus Kleve, Germany, 124 page, book & 3 X CD in slipcase
Scott Canty, COLA 2005, Catalogue, Los Angeles Cultural Affairs Dept., 88 pages [reproductions]
_____, I10, exhibition catalog, Mcclean Gallery, Houston, Tx, 18 pages [reproduction]
Michael Ned Holte, Percussion Music, Artforum.com, Picks, March (website)
Christoph Cox, On Time: The Loop and the Line, exhibition brochure, G Fine Art
Kenneth Baker, Quiet, Wry Photographic Visions are Serene Contrast to Nervy Outbursts of a Crackling
Digital Mind, San Francisco Chronicle, February 5, pp: E1, E10, [reproduction]
Mark Swed, What Color is Music, Los Angeles TImes, February 27, pp:E37, E40
|
| 2004 |
Christoph
Cox, Treble, Artforum, September, pp: 262 [reproduction]
Michael Ned Holte, Steve Roden, Artforum.com, Picks, July, [reproduction]
(website)
David Pagel, A Lively Intellect That Bucks the System, Los Angeles
Times, July 23, pp: E27 [reproduction]
Elisabetta Tolsano, Steven Roden, Flash Art, August - September, Italy,
pp: 142 [reproduction}
Lorenza Pignatti, Dispositivi Sonori, Kult, September, Italy,pp:66
- 71 [reproduction]
Chiara Bertola, Steve Roden, Tema Celeste, no.105, Italy, pp: 135
[reproduction]
Merry Scully, Steve Roden Nimoy Artist in Residence, SFAI Art and
Information, winter, USA, pp: 7, [reproductions]
Michael Rogers, When Art and Science Collide, Caltech News, vol.38
#3-4, USA, pp: 3 & 12 [reproductions]
ear(th), exhibition catalog w/ essays by Stephen Nowlin, AnnMarie
Thomas, Mark Simons, Steve Roden, 20 pages w/ audio CD, Art Center
College of Design & City of Pasadena Cultural Affairs Dept.
Till Kniola, Steve Roden, Auf Abwegen, #34, pp: 28 [reproduction]
Doug Harvey, Stranded, LA WEEKLY, April 30, pp: 38 [reproduction]
Peter Frank, Art Pick of the Week, LA Weekly, July 30, pp:
Christoph Cox, Previews: Treble, Artforum, May, pp:
Daniela Cascella, Speak No More About the Leaves, Blow Up, June, Italy,
pp: 68, [reproduction]
Allesandro Bianco, Light Forms, Miele, Italy, pp:36 - 39 [reproductions]
Alan Licht, Cross Platform/Treble, The Wire, July, UK, pp: 81 [reproduction]
Steve Roden, Resonant Cities, 26, San Francisco, CA, issue C, pp:195
- 199
Dana Dugan, The Sound of Art, Sun Valley Express, March 17, Section
C pp: 1
Daniela Cascella, Steve Roden/Jason Kahn, Blow Up, February, Italy,
pp: 68
Steve Roden, Dim View, The Wire, January, UK, pp: 6
Byron Coley, Size Matters, The Wire, January, UK, pp: 62
_______ , 2003 Rewind, The Wire, January, UK, January, UK, pp: 48
|
| 2003 |
Christopher
Knight, Smaller, More Creative, Los Angeles Times, Sunday December
21, pp. E45 & 53
Mario Cutajar, Painting by Letters, Artscene, November, pp 17 -
18 [reproduction]
Eve Wood, Reviews, Artweek, October, pp. 22 - 23
Kristian Kafoed, The Sound of Art, Artweek, October, pp. 12 & 29 [reproduction]
Christoph Cox, Return to Form, Artforum, November, pp. 67 [reproduction]
Wesley Pulkka, Transmission Tunes Into Our Radio Culture, Sunday
Journal, Albuquerque, June 22, pp. F5
The Surface of the Moon, Exhibition Brochure, Suyama Space, essays
by Beth Sellars and Daniela Cascella, 6 pages [reproductions]
Christopher Knight, Around the Galleries, Los Angeles Times, Friday
November 21, pp. E28
Jim Haynes, Reviews, The Wire, #237, UK, pp.67
Dave Keenan, Outter Limits, The Wire, #233, UK, pp.79
Charles Labelle, Steve Roden at Susanne Vielmetter and Pomona College
Museum of Art, Frieze, May, UK, pp. 93 Ð 94 [reproductions]
Bernd Schulz ed., Resonances, Book published by Kehrer Verlag Germany
documenting the Resonance exhibitions at the Stadt Galerie Saarbrucken,
essays by Bernd Schulz, Helga de la Motte-Habber, and others, 175
pages & cd [reproductions]
The Another Silent Green World, Exhibition Catalog,Pomona College
Museum of Art, Exhibition Catalog, essays by Rebecca Mcgrew, Steve
Roden 16 pages [reproductions]
Christopher Knight, Encoded Creations, Los Angeles Times, January
27,pp. E3 [reproductions]
Peter Frank, Art Pick of the Week, LA Weekly, january 24 - 30, pp.
120
Christoph Cox, Case Sensitive, The Wire, #229, UK, pp. 28 - 31 [reproductions]
Daniela Cascella, Reviews, Blow Up, May, italy, pp.76 Ð 77 [reproduction]
Atsushi Sasaki, Defining the Boundaries of/in Sound = Art, BT Monthly
Art Magazine, Vol. 55, no. 833, april, Japan, pp. 201 - 207 [reproductions]
Michael Raphael, Microsound, Studio 360, February 7, USA, Radio
Program
Dan
Warburton, Reviews, The Wire, UK, December, pp: 59
__________,Leonardo Music Journal, The MIT Press, volume 13, USA,
pp:86
Stefano Bianchi, Steve Roden/Light Forms, Blow Up, December, Italy,
pp: 74-75 [reproduction]
Daniela Cascella, Steve Roden/ Tu M', Blow Up, December, Italy,
pp: 75
Richard Chang, Beautiful Garbage, Orange County Register, Monday
August 25, pp:1, 4, 5
|
| 2002 |
Leigh
Landy editor, Organised Sound, Cambridge University Press, UK, vol.
7, no. 3, pp.340 - 341, also track on CD schindler house (excerpt)
Stefan Uhrmacher, Abfahrt fur den Atonal Express, Saarbrucker Zeitung,
9/16/02, pp. B2
Sabine Graf, Was den Ohren kosbar Wird, Saarbrucker Zeitung, 9/16/02,
pp. B2
Toby Scott, The Guardian, London, Monday June 3, pp.
Leander Kahney, Whisper the Sounds of Silence, Wired Magazine , May,
website
Some Reconstructions of Wandering and Inner Space, Exhibition Catalog,
Santa Barbara Contemporary Arts Forum, Essays by Meg Linton and Christoph
Cox. 16 pages, [reproductions]
Doug Harvey, Chaos Theory & the Pleasure Principle, LA Weekly, June
7 Ð 13, pp.41 [reproductions]
Eric Fredericksen, Art of Noise, Architecture, May, pp. 31, [reproductions]
_____,
BT Monthly Art Magazine, Vol. 54, no. 821, June, Japan, pp. 101, [reproductions]
Eleanor Welles, Steve Roden, Artscene, May, {reproduction} Robertas
Kundrotas,
Asmuo, Tango, 9/2002, Lithunia, pp. 28 Ð 31
Deanna Radford, Forms of Paper / Schindler House, Stylus, vol.13#1,
Canada, pp.45
Philip Von Zweck, Resynsethesis, Chicago Art Institute, Exhibition
Brochure [reproduction]
Jim Haynes, Schindler House, The Wire, January 2002, UK, pp. 77
Sabine Graf, Das Gerausch der fallenden Schneeflocken, Saarbrucker
Zeitung 1/18/2002 [reproduction]
Atsushi Sasaki, Forms of Paper, Fader, Japan, #006, pp.64 [reproduction]
|
| 2001
|
Claudine
Ise, Snapshot, Exhibition Catalog, Hammer Museum, CA, pp. 39 - 40
[reproductions]
Phillip Sherburne, Forms of Paper, The Wire, December 2001, UK, pp.
60 - 61
Louanne Greenwald, In Between Art & Architecture, Exhibition Catalog,
Mak Center, Los Angeles, CA pp. 2 & 7 [reproduction]
Josef Woodard, In Between Outdoors, Artweek, October, pg. 21
David Pagel, Down to Earth and Eye Catching, LA Times, October 16,
pp. F9
Michel Henritzi, 4 Possible landscapes, Revue & Corigee, # 48, France,
pp. 36
Shana Dambrot, Snapshot, Tema Celeste, October [reproduction]
Elisa Turner, A Visual Tale of Two Cities, Miami Herald, October 28
Mike Wolf, Music Reviews, Time Out NY, October 4 Ð 11, pp: 113 [reproduction]
Kelly Linder, Stolen Properties, Stretcher, issue 1.5 Fall, internet
site
Peter Frank, Art Pick of the Week, LA Weekly, Nov. 2 Ð 8, pp. 119,
[reproduction]
Aric Chen, How Many Inches, Surface Magazine, Spring, USA, pp. 58
[reproduction]
Doug Harvey, Multiple Exposures, LA Weekly, june 22 Ð 28
________, Speed Replaces Narrative as Content, JennJoy Gallery, pp.19
[reproduction]
Josef Woodard, This Old Sonic House, La Times, July 22, Calendar section,
pp. 52
Joan Crowder, Words, Images, & Opening Lines, ARA News, June 15, pp.
10 & 30 [reproduction]
Atsushi Sasaki, Monthly Top 10, Groove Magazine, February, Tokyo,
pp. 107 [reproduction]
Rogelio Pereira, Interview with Steve Roden, Hurly Burly, January,
Spain, pp. 17 - 24 [reproductions]
Christopher Murphy, Reviews, Array, #F.0015.0005, WWW
-----------, Inland Specific, Exhibition Catalog, Armory Center for
the Arts, CA, pp. 27 - 28 [reproductions]
Jeremy Keens, Four Possible Landscapes, Ampersand Etcetera, Vol. 3
No. 9, Australia |
| 2000
|
Doug
Harvey, Godawfulism, LA Weekly, Vol. 22, #51, Los Angeles
S. Arden Hill, Steve Roden, Stylus, June, Canada, pp. 20 - 21[reproductions]
Corey Jackson, The Eye of the Beholder, Diversions, November 6,
Los Angeles, CA
David Bonetti, Gallery Watch, San Francisco Examiner, November 20,
San Francisco, CA
-----------, Steve Roden and Torsten Burns, Artweek, USA, November,
pp.28 [reproduction]
-----------, Koncertberichten, Logos Blad, June, Belgium, pp. 6-7
[reproductions]
-----------, Nova, #35/June, Belgium, pp. 9 [reproduction]
Denis Boyer, Steve Roden/In Be Tween Noise, Fear Drop, #7/ spring,
France, pp. 10 - 15 [reproductions]
Brian Dugied, Reviews, The Wire, #195/ May, UK
MAssimiliano Busti, Reviews, Blow Up, June, Italy
Steve Roden, i speak through a hole in my head, new plastic paper, regular edition: 500 / special edition w/drawing: 50
96 pages, artist book w/text and drawings
Olivier Lamm, Poesie del la Matiere, Planet of Sound, France, pp.
28 - 33 [reproductions]
Kevin Dougherty, Steve Roden/Crop Circles, Incursion, August, Canada
Daniella Cascella, Steve Roden, Blow Up, #22, Rome, pp. 66 - 69,
94 [reproductions]
Michel Henritzi, Steve Roden, Revue & Corrigee', #44/June, France,
pp. 16 -25 [reproductions]
Michel Henritzi, The Radio, Revue & Corrigee', #43,
France M. Moniot, Art Reviews, Sa | |